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Posts tagged: photography

Photo Shoot: Catherine

My good friend and expert creative at Wieden + Kennedy in Tokyo, Oyl, was home for the holiday season and had a project that needed photographing. While in Japan he had created a cool little fashion accessory and he wanted to market it as “a slice of Portland” in the Tokyo fashion world. A craigslist and Facebook post later got some great responses and we chose two to shoot - Catherine and Mandi. Catherine was first, representing the fun, cute side of the product. The every-Portland-girl feel.

I got an email the day before the shoot from Catherine. Basically, she was having second thoughts. Not an experienced model, she was worried about how she would do. Though I had worked with some inexperienced models already, I had never had one say she didn’t want to do it. So I gave her a call and thankfully was able to talk her back into it.

The day of the shoot came and Oyl and I (and Oyl’s cousin who was tagging along) met Catherine, where else, under the Morrison Bridge. After all, nothing gets more Portland than that area in my mind. Real quick, you may be saying, “woah, Joe, you don’t like working with extra people on set and you brought two?” Indeed. But there’s a major difference between having Oyl and his cousin hanging out on set and a boyfriend or “bodyguard” type. Of course, Oyl is the client (even though he’s a friend) and his cousin understands “the business” as well. That and I was able to talk them both about how I work and what to do if things were getting distracting. That made their presence, much like when a makeup artist or wardrobe stylist is on set, a great help, rather than a hinderance.

TIP: If you are shooting for a client and they are going to be there with you, be sure to explain to them your working style. If you have a thing about shooting alone, make sure they understand that. Obviously, you’ll have to make exceptions when someone is paying you, but it’s always a good idea for everyone involved in a creative project to know where you’re coming from.

The concept for the shoot was much more of a lifestyle-inspired project, rather than a “feature my product” style. We were looking for interesting takes on what the grunge look and feel of Portland is about.

^ Portland’s Hawthorne Bridge, facing the financial district of southwest Portland. You really can’t get much more Portland/Northwest Grunge than this. Ripped tights, jean shorts, plaid, shades, all hanging out on a tiny blonde, chilling on a bridge. Perfect.

^ Of course, it’s always good to get some product shots in. The leather straps have a Sharpied silhouette of the Tokyo skyline on one side and Michael Jackson on the other. Simple and fun and from what I hear, all the rage in Tokyo.

^ Part of our shoot ended up in northwest Portland at a great little coffee shop called Anna Banana’s. It is essentially a house with the room structure still in place that was made into a coffee shop. In the basement there is an eclectic mix of busted furniture, graffiti, and random chess boards with “Nazi Punks, Fuck Off!” written on the side. Yes, Portland. Also, they have amazing coffee and scones there, especially if you’ve been shooting on bridges all morning and can’t feel your hands.

^ After coffee we headed up to Washington Park and the famous Rose Garden (the one with roses, not NBA basketball players). To our surprise (and delight) it started snowing. This, by the way, is a rare event in Portland. Most winters only see a day or two of snow (with the exception of last year’s crazy blizzard). In fact, this was the only day it snowed this winter (assuming we won’t see any temperatures that cold again). The whole scene was so cool, I couldn’t really stop taking pictures of it.

^ Pretty much exactly what our day ended up being. I love this shot.

Shortly after we finished shooting in the snow, we dropped Catherine off. I asked her if she was glad she ended up doing the shoot. A resounding, “Yes,” was a reassuring answer.

This day, though, was not over, as I was bound to have quite a legendary adventure. I had picked Oyl and his cousin up in the morning, so I was tasked with dropping them off (some twenty minutes outside of downtown). Of course, it had started snowing and due to the rarity of this sort of thing (and the no salt law in Oregon) the roads were quickly filled with panicky drivers and increasingly accumulated snow layers. We got as far as Lake Oswego when we were faced with a snow-covered hill as our only option to get to our destination. This hill, however, had already claimed several cars attempting to forge ahead. I declined the challenge and we pulled off the road, watching continued failed attempts to climb the hill and hoping to see a snow plow clear the way.

After a couple hours of waiting and watching the snow completely cover everything, we decided that we wouldn’t be able to make it any time soon. We decided walking the remaining three or four miles (we weren’t really sure how far it actually was) would be a good idea. Especially because half way there we’d run into a McDonald’s (and of course we were getting hungry).

So off we trod. It was quite the spectacle as cars slid their way around, trying to get to their destinations without spinning out of control. Soon after we began our trek, I informed the gang that McDonald’s was currently offering the McDouble (a double cheeseburger with only one slice of cheese) for just a dollar. The quest for the McDouble began. Our strides lengthened and our pace quickened. When we finally made it to the McDonald’s about 45 minutes later, the McDoubles (three each for Oyl and I with fries) were ordered, made, and consumed in about 10 minutes. Probably a record.

Oyl’s family was actually able to pick us up from the McDonald’s and we spent the evening at his house, waiting for the snow to clear and regretting our splurge on McDoubles. Some late evening rain cleared the roads enough for me to be dropped off at my car and have a safe drive home. And yet, the best part of the day was still all the great shots we got with Catherine.

Photo Shoot: Saron

Well, the slideshow from this shoot has been up for a little while, but I suppose I should tell you more about it. This shoot was pretty cool for a number of reasons, but the most important one was that I had a makeup artist “on set” for the first time. Now, I mentioned shooting with significant others or friends (or bodyguards?) on set and how that can be very distracting and ultimately negatively impact the results.

By contrast, having a makeup artist on set is pretty much the opposite. The first thing, and the most obvious, is that the models look absolutely stunning. And that’s not to say they don’t anyway, but a makeup artist (a good one at least) understands the way light works and how colors and shades affect the look. Amy, my MUA (industry abbreviation), was definitely in this category. She did an incredible job with Saron, setting an overall mood and making my job in the editing room absolutely painless.

So the concept here was to first shoot a sort of classic look (above), and then move into something with a little more punk/grunge feel. Again, the usefulness of having Amy around was immeasurable. Throughout the shoot she hung out and kept an eye on things like stray hairs (called fly-aways apparently) and things like being sure the makeup stayed even. With her eye on that, it left me free to just shoot away.

TIP: If you can get a makeup artist to help you with your shoot, do it. Much like the work of models and photographers, makeup artists need to have a great portfolio too. That means you can work for trade with some great talent. That being said, they are bringing product into it, which means their costs are much more than simply time. For this reason, if you’re shooting for trade with a makeup artist, be sure to get plenty of shots that feature the work they do (even if you don’t want them for your own portfolio). And, of course, be prompt in getting them images.

This shoot also gave me some pretty cool perspective about location. I ended up shooting under the Morrison Bridge in Southeast Portland, a location I had previously shot a couple times. What I found at this point was that no matter how many times you shoot at one place, you can always find a way to make it look different. That may sounds obvious to some, or dumb to others, but the point is, keep looking at the same place in different ways and you’ll find yourself making amazingly interesting photographs. In fact, it sort of forces you to. No one wants to have the same shot as someone else, do they?

Photo Shoot: Saron (makeup by Amy Gillespie)

Shooting on Vacation

So one of my very best friends (since fourth grade)—really my fourth brother—Rick, had just gotten back stateside from serving in the Army in Iraq right around Thanksgiving. And what else do you do when your friend comes back from war? You go to Vegas. The plan was to play a whole lot of poker … and not talk about anything else that happened (of course).

But, I also saw an opportunity. Though I totally love a good night of poker, the stakes in a poker room in Vegas are a little more intimidating than the $10 buy-in tournaments at friend’s houses while watching the Blazers games. So, I knew I’d have some extra time—especially while Rick was sleeping off the previous night’s poker session.

Now, remember the tip I tossed out about Craigslist? You should. That tip applies even more when you’re a foreigner looking to get some shoots in on vacation. Armed with a growing portfolio (note the previous posts on this blog…duh) I posted an ad on Craigslist: Las Vegas. Again, I wasn’t sure the type of responses I would be getting, though after my first experience with posting, I was more prepared. I already had a folder in my email setup to handle all the Vegas correspondences and a contact definition to keep the Vegas models separate from my local ones.

So, if you thought setting up a shoot in your own town on your own time was tricky at times. Try doing it in a city you’re nowhere near familiar with while on a vacation that has no discernible agenda (other than to win tons of money playing cards). But, even that went over without much trouble.

I got great responses and narrowed down my choices to six (assuming I wouldn’t be getting some of the girls to actually write back). Oh, I should mention at this point, I was trying to set all this up in about two weeks. I would definitely recommend taking more time and having a better plan of how you’ll be spending the rest of your vacation time. Anyway, I was right to assume I would only hear back from a couple of the girls. Three in fact. But, they all accepted times that fit, so it was all good. Elizabeth in the morning, Karri in the afternoon, and Rebecca the next morning.

Publishing Your Photographs

Getting started with this whole photography thing, to this point, had been pretty great. Sure, there were some bumps along the way, but all-in-all, very positive. One of the particularly uplifting things was finding a great way to get my photographs published without having to drop a ton of cash.

One of the true wonders in this world is the ability of the Internet to find exactly what one needs for nearly anything. My need at this point was to get my stuff printed in a sharable format for not much money. The Internet provided MagCloud.

Simply, MagCloud allows you to create a PDF, upload it, and they print it. And the best part? Every issue you produce, you get a free proof. All you pay is shipping (about $1.50). My first three issues were about 25 pages each. Try getting that many 8.5 X 11 prints for $1.50 anywhere else. And the quality is pretty good.

All I had to do was enter the margin settings in a new Pages document and drop in my photographs. I added some text to some and made a nice little cover page and presto. I had a great tool to show off my work in person. For any photographer looking to get started, definitely get a printed version of your work in your hands as soon as possible. If you need a hand getting started in Pages, let me know and I’d be happy to assist.

+Joe+

FotoGrafique Launches

Due to several requests from fans of my work as a photographer, I am opening up a new blog to hopefully provide a little insight into my work as a photographer, some interesting stories and encounters I have along the way, and maybe even some tips and tricks for other aspiring photographers to use along the way.

Before you begin, you’ll want to know some stuff about me:

  • Although I took a few photography classes in high school and college, my style is pretty much entirely self-taught. I don’t know what, if any, conventions I am abiding by or breaking when I take or edit photographs, so if you are a hardcore purist in the photography world, some of my posts may bug you.
  • I am not a technical photographer. I cannot look at a scene and tell you what your settings should be (though the more I shoot, the better I am getting at this). I know that the aperture is the “eye” and the shutter is what makes the clicky noise. I’m not entirely sure what the science of the ISO setting is.
  • My idea of “this is good and this is not” is completely subjective to myself. I am pretty sure at some point I will contradict myself, but any art (and particularly photography) is subjective to the whims of its viewers. Often I will have someone tell me how much they love a particular shot that someone completely disliked earlier. Both have reasonable arguments for their opinions—so basically I just publish all the stuff I like.
  • I love criticism. I may disagree with you and ask for you to explain your opinion (or judgement), but I absolutely appreciate any suggestions and critiques I get along the way. So please comment on any and everything I say here.
  • Last thing. I am an artist and creative at heart. I just love making things. Photography is recent on my list of mediums with which to express myself. Most of my portfolio was taken in the last three months. So, I am learning (which is why I want the critiques). I hope anyone reading this account of my life as an aspiring photographer will find something useful—even if it’s just a light-hearted anecdote about one of my models.

Alright, you should be good to go at this point. Oh, and one more last thing. Some of the things I say here may come off hypercritical or overly sarcastic. I have no intention of bringing any harm, embarrassment, or ill will toward anyone I have worked with (or may work with in the future). If I say something about you that seems too harsh, let me know and I’ll throw an edit shout out in there, no problem.

Thanks gang and enjoy! And don’t forget, you can see my photos-only blog at:

+ Criminal Minima +

+Joe+